14 October 2013

Issues

Bakwa 05

  Bakwa 05 October 14, 2013 Why do poets die? Emmanuel Iduma remembers Kofi Awoonor and Klas Lundstrom remembers Anna Politkovskaya. Serubiri Moses questions the legacy of Heinemann’s African Writer’s Series. Adebiyi Olusolape investigates gradual extinction of the Kakanda language Cover art: Photo by Piotr Arnoldes from Pexels Cover design: Dante Besong  

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News

Editorial 05

We are constantly reinventing ourselves and, as a magazine, we have grown enamored of long-form creative journalism (or nonfiction), daring to publish online a genre that is more adapted for a print outlet given how easily distracted netizens are with the plethora of tantalizing online content. Nevertheless, long-form journalism, when in the right hands can

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In Memoriam: Why Poets Die (for Kofi Awoonor)

  Emmanuel Iduma Audience at Kofi Awoonor memorial at the Nairobi Museum (Photo by Paul Munene, Quaint Photography) Let’s assume from the outset that poets die because they stand in the way of politics, and let’s find a way to defend this. We’re speaking specifically about Kofi Awoonor who, on Saturday September 21, was shot

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News

In Memoriam: Anna Politkovskaya

                                                                           Klas Lundstrom   A Memorial to Anna Politkovskaya. (Image Teppo) October 7 is the annual date of the death of the Russian writer and investigative journalist, Anna Politkovskaya. It was a miserable and shameful deed in 2006, which forever silenced a brave voice that is badly needed in today’s Russia–and in the rest

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Online Content

Afrikan Luv Unapologetically Flaunts its African-[ness]

Dzekashu MacViban As a latecomer to the Cameroonian musical scene, hip-hop has been on a gradual but steady rise in an over-congested milieu where, according to Kangsen Feka Wakai, “for at least two decades, it would play fifth fiddle to Soukous, Makossa (in all its apparitions), Bikutsi, and Bend-skin.” This change is due to a

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News

African Sacredness, When Fiction Becomes Reality

                                                    Serubiri Moses   “No one who loves life would wish to imitate her dedication to martyrdom  nor would wish it for his children nor for anyone else whom he loves.” – Susan Sontag, Simone Weil (New York Review of Books)   To be brutally honest, the vast legacy of much thought of African intellectuals

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Online Content

The Spoken Word Scene in Cameroon: From Poetry to Poetography

A shorter version of this article was originally commissioned by the Goethe-Institut and published on www.goethe.de Dzekashu MacViban   Black Alice. Photo Credit: Black Alice For many years, spoken word in Cameroon was like the anecdotal man with the iron mask— faceless and denied recognition as it played second fiddle to other forms of art

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From Scions of the Malcontent to Men of Contentment

  Wirndzerem G. Barfee     A work of art is, and can be, read from multiple perspectives. One of the most engaging perspectives to read Macviban’s collection, Scions of the Malcontent (SOTM), is by collapsing the opposition between the verbal and graphic articulations, and as such creating a complimentary dynamics that participates in the

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