Exhibition

Featured Content, Online Content

On Contiguous Narratives and Poetic Cosmologies

Kokende Liboso Eza Kokoma Te: On Contiguous Narratives and Poetic Cosmologies is a project by Laboratoire Kontempo, curated by Dzekashu MacViban. You can read the announcement in French here and in German here. The theorization of contemporary art and art history in Kinshasa is currently mainly formed by contemporary witnesses, oral traditions, discussions and collective

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News/Events, Online Content

Kokende Liboso Eza Kokoma Te: On Contiguous Narratives and Poetic Cosmologies

  So many are asleep under the ground,  When we dance at the festival Embracing the earth with our feet.  Maybe the place on which we stand  Is where they also stood with their dreams.  They dreamed until they were tired  And handed us the tail with which we shall dance.  Excerpt from “Cycle”, Mazisi

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News

Nightlife: Tito Valery’s Retrospective Expo

Experimental visual artist Tito Valery takes us on a journey to memory lane with a selection of his photography in a retrospective expo which highlights previous exhibitions such as “Black and White are Colors too”, “Un monde sans couleurs” and “Poe-traits”. Tito has two other forthcoming exhibitions: “Poortraits” in January at the IFC (Institut Français

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News

Tito Valery “I Am Particularly Interested In Working With Artists Who Have A Vision "

  Interviewed by Dzekashu MacViban   Last month I introduced a collaborative project Bakwa was working on with Tito Valery in the article “Black and White are Colours Too: the Ambitious Experiments of Tito’s Photography”, wherein I discussed the experimental nature of Tito’s black and white photography, highlighting the fact that his upcoming exhibition, Da(r)kar

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News

Black and White are Colours Too: the Ambitious Experiments of Tito’s Photography

Dzekashu MacViban   Tito Valery (Photo Credit: February 16) To observe the world in colour, especially through photographs, can be deceptive— years of perfectioning technicolour have made that possible. We tend to focus on the gloriousness of the colours, overlooking the simple things that really matter. Perhaps this reverence for colour dates back to Greek

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