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On the Place of African Cinema at European Festivals

Oris Aigbokhaevbolo Oris Aigbokhaevbolo investigates the politics of inclusion (and exclusion) of African movies at The Berlin Film Festival, highlighting Nollywood’s commercial approach to film-making and the problems it poses. The opening sentence of an article in a recent edition of The Hollywood Reporter reads, “This could be the year that films with African-American themes

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