Wirndzerem G. Barfee A work of art is, and can be, read from multiple perspectives. One of the most engaging perspectives to read Macviban’s collection, Scions of the Malcontent (SOTM), is by collapsing the opposition between the verbal and graphic articulations, and as such creating a complimentary dynamics that participates in the […]
From Scions of the Malcontent to Men of Contentment Read More »
[Part 1] Oscar C. Labang For a very long time now, I have struggled with inner pressures not to join in this theoretical quibbling about Anglophone Cameroon Literature and just content my soul in a quiet corner and make my modest contributions (whatsoever) to projecting it to the heights that it deserves. I have tried
Anglophone Cameroon Literature: the Travails of a Minority Literature Read More »
Wirndzerem G. Barfee One of the first things that after strikes the sensibility of a sensitive reader is the originality of a book’s title. When it comes to poetry; that exigency is doubled. Lum Louisa, on this critical count, succeeds in a superlative manner to coin a title that tallies both originality and critical
Sex As Gender/Power Politics Between Men and Women Read More »
