Kangsen Feka Wakai 1. You’ve recently resigned yourself to the fact that at a certain point in a rapper’s career, usually when he/she is already steering the yacht of mainstream success after having surmounted the crab-infested grime of the underground, they must decide whether or not to submit to the allure of pop-cultural relevance, or
The Afro-Anarchist’s Guide to Kendrick Lamar’s ‘To Pimp a Butterfly’ Read More »
Last year, the Cameroonian hip-hop scene took a major step in consolidating its place in the African hip-hop world with MuMak’s release of Jovi’s self-produced debut album, H.I.V (Humanity Is Vanishing). Before Jovi’s emergence, no solo Cameroonian hip-hop act, especially one rapping predominantly in pidgin (Cameroonian Creole), had penetrated the global hip-hop world, or had
Jovi: A New Chapter in Cameroonian Hiphop Read More »
Petit Pays owned the nineties. And if he didn’t own the entire decade, then he owned the most significant part of it. And if he didn’t own the airwaves, he certainly owned sidewalk speakers and dance floors. The ‘matinee’ generation would come of age dancing to the sounds of ‘Nioxxer’, ‘Maria’ and ‘Polissy’. If Lapiro
Petit Pays: Nudity and the King Read More »
