Bamenda

Last year, the Cameroonian hip-hop scene took a major step in consolidating its place in the African hip-hop world with MuMak’s release of Jovi’s self-produced debut album, H.I.V (Humanity Is Vanishing).   Before Jovi’s emergence, no solo Cameroonian hip-hop act, especially one rapping predominantly in pidgin (Cameroonian Creole), had penetrated the global hip-hop world, or had